Hegel on Property and Recognition

Kant and Hegel on Aesthetic Reflexivity

The paper aims at reevaluating a conception of the aesthetic that was developed by Kant and Hegel but that has been widely neglected due to the fact that their positions in aesthetics have been wrongly considered to be antagonistic to one another. The conception states that the aesthetic is a practice of reflecting on other human practices. Kant was the first to articulate this conception, but ...

Hegel on Represent Ation and Thought

Hegel On Secularity And Consummated Religion

The relation of religion to secular order has once more assumed centre stage in the renewed conflict between secular democracies and a traditional religiosity turned fiercely political. The extreme development of the former had seen politics represented as the only true redemption and religion condemned as the malaise of self-alienated humanity, to be purged altogether or rendered subordinate t...

Hegel and Peircean Abduction

‘Abduction’ was the term Charles Sanders Peirce used in his later writings for a type of inference that he had earlier called ‘hypothesis’ and that is now commonly called ‘inference to the best explanation’. According to Peirce, abduction constituted, alongside induction, a distinct second form of nondemonstrative or probabilistic inference. Especially in his later work, Peirce conceived of abd...

Hegel and Herder on Art , History , and Reason

The introduction of a historical perspective in aesthetics is usually traced back to Hegel’s 1820 lectures on fine art. Given at the University of Berlin, these lectures were amongst Hegel’s most successful and best attended.1 By then a recognized intellectual figure, Hegel sets out to salvage art from its subjectivization in Kantian and romantic aesthetics, but ends up declaring that art, cons...